The veteran filmmaker has evolved into more than a filmmaker; he represents an institution, a prolific creative force. When he has project arriving on the television, everyone seeks his attention.
The filmmaker completed “an astonishing number of podcasts”, he says, approaching the conclusion of nine-month promotional tour that included four dozen cities, numerous film showings plus countless media sessions. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”
Fortunately Burns is a force of nature, equally articulate in interviews as he is prolific while filmmaking. The 72-year-old has gone everywhere from historical sites to popular podcasts to promote one of his most ambitious projects: his Revolutionary War documentary, an extensive six-episode, twelve-hour film project that occupied the past decade of his life and arrived recently on public television.
Comparable to methodical preparation amidst instant gratification culture, this documentary series proudly conventional, more redolent of historical documentary classics rather than contemporary streaming docs and podcast series.
But for Burns, whose entire filmography chronicling strands of US history spanning various American subjects, its origin story represents more than another topic but essential. “I recently told collaborator Sarah Botstein during our discussions, and she shared this view: no future work will carry greater importance,” Burns reflects by phone from New York.
Burns, co-directors Botstein and David Schmidt along with writer Geoffrey Ward drew upon numerous historical volumes and primary source materials. Dozens of historians, representing diverse viewpoints, contributed scholarly insights in conjunction with distinguished researchers representing multiple disciplines including slavery, indigenous peoples’ narratives and the British empire.
The style of the series will feel familiar to devotees of The Civil War. The unique approach featured methodical photographic exploration across still photos, abundant historical musical selections featuring talent interpreting primary sources.
This period represented Burns established his reputation; decades afterwards, now the doyen of documentaries, he can attract virtually any performer. Collaborating with the filmmaker at a recent event, the Hamilton creator Lin-Manuel Miranda observed: “Nobody declines an invitation from Ken Burns.”
The extended filming period also helped in terms of flexibility. Sessions happened in recording spaces, on location using online technology, an approach adopted amid COVID restrictions. Burns recounts working with Josh Brolin, who scheduled a brief window in Atlanta to record his lines as the revolutionary leader prior to departing to other professional obligations.
The cast includes numerous acclaimed actors, Jeff Daniels, Morgan Freeman, Paul Giamatti, emerging and established stars, Tom Hanks, Ethan Hawke, Maya Hawke, Samuel L Jackson, Michael Keaton, Tracy Letts, international acting community, skilled dramatic performers, television and film stars, plus additional notable names.
The filmmaker continues: “Frankly, this may be the best single cast gathered for any production. Their work is exceptional. They’re not picked because they’re celebrities. It irritated me when questioned, ‘So why the celebrities?’. I explained, ‘These are artists.’ They’re the finest actors in the world and they can bring this stuff alive.”
Nevertheless, no contemporary observers remain, visual documentation compelled the production to depend substantially on the written word, weaving together personal accounts of numerous historical characters. This approach enabled to present viewers beyond the prominent leaders of the revolution plus numerous additional essential to the narrative, many of whom remain visually unknown.
Burns also indulged his individual interest for territorial understanding. “I have great affection for cartography,” he notes, “and there are more maps in this project compared to previous works throughout my entire career.”
The production crew recorded at nearly a hundred historical locations throughout the continent and in London to preserve geographical atmosphere and collaborated substantially with historical interpreters. Various aspects converge to present a narrative more brutal, complicated and internationally important versus conventional understanding.
The documentary argues, represented more than local dispute concerning territory, taxes and political voice. Instead the film portrays a blood-soaked struggle that finally engaged more than two dozen nations and improbably came to embody what it calls “mankind’s greatest hopes”.
Initial complaints and protests leveled at London by far-flung British subjects in 13 fractious colonies soon descended into a brutal civil conflict, dividing communities and households and turning communities into battlegrounds. During the second installment, scholar Alan Taylor notes: “The main misapprehension concerning independence struggle involves believing it represented a unifying experience for colonists. It leaves out the reality that colonists battled fellow colonists.”
According to his perspective, the revolution is a story that “for most of us suffers from excessive romance and nostalgia and remains shallow and doesn’t have the respect the historical reality, all contributors and the widespread bloodshed.”
Taylor maintains, a revolution that proclaimed the revolutionary principle of inherent human rights; a brutal civil war, dividing revolutionaries and royalists; plus an international conflict, continuing previous patterns of wars between imperial nations for the “prize of North America”.
Burns additionally aimed {to rediscover the
A tech journalist and VR specialist with over a decade of experience covering emerging technologies and digital culture.