The Decade of Desire from author Erin Somers: A Midlife Infidelity Tale Our Generation Deserves.

In Erin Somers’s A Decade-Long Liaison, the story centers on a millennial mother named Cora, a millennial mother who desperately wants a bygone kind of passion from a man of a different time. Sadly, for Cora, morality in 2015 is inflexible and jaded, and instead of having the affair, Cora devotes 10 years overthinking it, fantasising about it and discussing it with the object of her desire, Sam – a playgroup dad who works as “head narrative architect” at a fintech company. The book presents itself as a humorous twist on the classic adultery novel and a send-up of a narrow, self-conscious group of downwardly mobile New Yorkers. It stands as the definitive narrative of middle-aged unfaithfulness our entire generation has coming: an energetic, clever critique of unbearably anxious individuals who’ve managed to ruin intimacy itself.

Depicting Self-Satisfied Unhappiness

The central couple, Cora and Eliot are smug, overeducated Brooklynites who, as costs increased and their family expanded, have moved reluctantly to the suburbs. Trapped by the “gruelling all-the-time-ness” of parenthood, they juggle office careers, two children, and an ongoing fungal issue growing under their bathroom tiles which they cannot afford or muster the will to fix. Their social circle similarly minded urban exiles who have fled the city to drink negronis from rustic glassware and judge each other amidst a more rural setting. But if Cora is lonely in this new environment, it stems not from her fussy, lifeless lens but because her suburban peers are “dull and vain, even more so than in their previous urban life”.

Eliot is high-minded and oblivious. He eats popcorn while she cleans vigorously and says he doesn’t wish to possess her. Cora imagines them attempting to endure with Eliot in the woods, doing laundry by hand while he searches for chanterelles. She longs for drama, a bit of depravity, a lover who will plead, and adore, and “growl at the feet of the woman’s excellence”.

"The mundane grind of everyday existence, you had to admire its consistency."

The Problem of Over-Intellectualized Longing

The central conflict is that Cora is just as intellectually constrained as her husband, and incapable of that kind of abandon herself. It’s “too much to ask her to be passionate” (about work, she claims, but really about everything). Her feelings for Sam are “tepid, barely beyond simple fondness”. She wants “a transcendent physical experience and escape her own reality momentarily”. But, for years, Sam demurs while Cora pines. She imagines a parallel reality alongside her real life, where in place of chores and errands, she has sex and hotels and Sam. As this fantasy dims, her mind conjures “a French guy named Baptiste” who joins Sam in helping her out of the bath, “leaving her with no duties, no responsibilities, no obligations, except to be worshipped as a youthful bride, who’d died improbably of TB”.

A Sad Climax and Deeper Themes

When they finally do give in to temptation, their intimacy is melancholy, lacking in fun or mutual connection. It fails to be the nostalgically perfect affair she fantasized about for a full decade. Cora dons a slinky dress and Sam “performs oral sex with grim determination in their hotel room” prior to a meal. One imagines that Cora desires to slip inside a James Salter novel, where sex is sordid and confusing, where imbalances of control exist, and characters act out, and no one tallies the cost.

Somers consistently suggests the root of Cora’s problem: she possesses a sharp tongue, but so little joy. Regarding an intimate picture from Sam, Cora complains, “he tightened his stomach and made sure he was hard, but has not cleared the frame of Crocs”. Given that the catalyst that killed their fun was parenthood, one worries about the impact these flawed adults have on their kids. As her daughter inquires about sex, the adults fumble. They start with babies then acknowledge that sex isn’t always about babies. The father references male anatomy then concedes that one isn’t required. Finally, he lands on, “you're aware of private parts?”

Beneath the story flows a quiet theme of common existential queries of midlife: do our lives have meaning? What follows our final breath? These themes are more directly explored in Cora’s imagined conversations. Reading these exchanges, one wonders what moral Cora and her jaded circle would derive from their disappointing dramas. Would Cora grow more receptive of life’s imperfect joys, its corny pleasures? Upon being questioned by Eliot about her affair in the middle of a podcast about rope, Cora thinks “all meaningful communication is undermined by its particulars”. Others could argue it's enriched. Yet that is not her nature, and Somers doesn’t give her character false epiphanies, or force growth beyond her capacity.

An Ultimate Appraisal

The result is a razor-sharp, hilarious, finely observed novel, crafted with such withering exactitude. It is profoundly self-aware, spare and brimming with subtext: a depiction of a worried, self-protective cohort in middle age, perpetually self-conscious, simultaneously terrified of and hungry for intense experience. Perhaps this is solely a metropolitan trait. Let’s say it is.

Rebecca Smith
Rebecca Smith

A tech journalist and VR specialist with over a decade of experience covering emerging technologies and digital culture.