A group of six oddball but brave children confront the way of a vast and terrible supernatural malevolence that has entered our world from the deepest abyss of oblivion. They have no choice but to wage a lifelong battle fighting it, experiencing terror upon terror in the process.
This outlines the narrative, roughly, of Stephen King’s seminal work It (a standout in his career; undeniable). It similarly frames of the celebrated author’s heir Joseph Hillstrom King’s recent massive horror novel, in which a close-knit group summon the ancient, deeply sinister dragon the Dragon King from the Endless Night to assist them in vanquishing some villains. Needless to say, their otherworldly invocation goes awry.
Joseph Hillström King began his writing journey going to great lengths to remain separate from his well-known dad, publishing under the pen name he maintains to this day and eschewing in-person meetings with his agent (he possesses a strong similarity to his parent). But in this latest novel, he leans into it. Several quotes that intentionally mirror some of King’s most famous (that classic opening line); a incident that recalls a recurring theme in King’s works (a game of puzzles). In this epic story, the author rejoices in his heritage, and the audience revels alongside.
Back to those friends: most are pupils at the fictional Rackham College in the New England state. We have Arthur, studious and gifted, solving Old English riddles in his spare time; Colin, rich, sharp, and known for crushing those who oppose him; twins Donna and Donovan; the attractive the lovely Allie. And there’s Gwen, who doesn’t study with them, but emerges as crucial of their band as they experiment, partly convinced, half not, in arcane arts.
Arthur is, due to circumstances beyond his control, forced into stealing valuable volumes from his cherished academic collection by a group of neighborhood thugs. This wounds his academic spirit, particularly as he’s made to take the collection’s foremost and disturbing publication: the journal of practitioner the historical figure (condemned “for trafficking with the devyll in 1703”; the cover is crafted from his flesh). Our Scooby gang examine the log, discover they could summon what the author references as a armored demon” to aid our hero with his blackmail problem – and devote the remaining story facing the fallout. The dragon will indeed rid them of those troublesome local drug dealers, but they’ll have to choose a new sacrifice each year or become his victim themselves. As our protagonist states: “You invoke terrible forces, all you get is additional horrors.”
Moving through four decades, Hill also moves with effortless ease across narrative styles: as the companions endeavor to address the circumstances they find themselves in by, through diverse methods, picking people who are obviously evil to immolate, or hunting down ways to kill the dragon themselves, we transition from page-turner to shadowy tale, covert operations to love story to terror. A standout transition was to a heroic journey, far beneath the surface beneath this UK region, a part tinged by the fantasy maestro that was gloriously terrifying.
We encounter trolls – bridge-dwelling ones and internet antagonists, properly scary and superbly depicted. We see enchanted blades and betrayals, pulse-pounding sequences of bravery and scenes of terrible wickedness, both earthly and extraterrestrial. It’s a tour de force: a chilling book that is primarily a ode to the human inventiveness, and to affection and camaraderie. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says this character as the companions sit around the table, getting ready to invoke their serpent into being with the strength of their collective will.
According to Joe Hill in his epigraph: “Hic sunt dracones”. Do not overlook this.
A tech journalist and VR specialist with over a decade of experience covering emerging technologies and digital culture.