Plenty has been documented about the practice of running, a healing activity with ability for therapeutic unburdening. Within the context of elite athletics, though, the pressure of contests can make people lose sight of this ultimate goal. Reimagined from the same-named comic, Kenji Iwaisawa’s enthralling anime transcends trophies and medals to investigate the existential drive that drives an athlete’s ambition.
The 100-Meter Film chronicles Togashi and Komiya, childhood friends whose personal journeys diverge when they enter elite competition. Once the quickest elementary student in Japan, Togashi helps the less confident Komiya with the fundamentals. As the pair progress into their adolescence and adulthood, Komiya consistently improves up the ranking of premier sportspeople, while Togashi is mired in a rut; both confront anxieties and insecurities. Covering more than 15 years, the story documents their psychological barriers, revealing the difficulties of an athlete’s life, locked in a pattern of public scrutiny, achievement demands and commercial obligations.
Perhaps it’s due to the source material, but the animation’s answer to these complex dilemmas is rather superficial; repeatedly, a lead’s mental struggles quickly dissolve after a extended discussion with a fellow athlete or mentor. But what the film falls short in plot refinement and pacing, it redeems itself with in stunning imagery. Employing trace-over animation, in which animation is traced over filmed sequences, the feature generates remarkably precise dash moments. The physical exertion of a sprint is on full display, and the struggle and triumph of competition are engraved on the athletes’ physiques.
One notably pivotal race concludes in the storm, with torrents of charcoal lines that immerse the screen. More than any dialogue, these displays of artistic excellence encapsulate the quasi-enlightened elation the movie aims to provoke.
The Sprint Film is showing in the United Kingdom from November 16.
A tech journalist and VR specialist with over a decade of experience covering emerging technologies and digital culture.